And who's this little fellow in his itty-bitty robe?
That's tiny baby Adolf, the Hitlers' little boy!
Will he grow up to be an LL.D.?
Or a tenor in Vienna's Opera House?
Whose teensy hand is this, whose little ear and eye and nose?
Whose tummy full of milk, we just don't know:
printer's, doctor's, merchant's, priest's?
Where will those tootsy-wootsies finally wander?
To garden, to school, to an office, to a bride,
maybe to the Burgermeister's daughter?
Precious little angel, mommy's sunshine, honeybun,
while he was being born a year ago,
there was no dearth of signs on the earth and in the sky:
spring sun, geraniums in windows,
the organ-grinder's music in the yard,
a lucky fortune wrapped in rosy paper,
then just before the labor his mother's fateful dream:
a dove seen in dream means joyful news,
if it is caught, a long-awaited guest will come.
Knock knock, who's there, it's Adolf's heartchen knocking.
A little pacifier, diaper, rattle, bib,
our bouncing boy, thank God and knock on wood, is well,
looks just like his folks, like a kitten in a basket,
like the tots in every other family album.
Shush, let's not start crying, sugar,
the camera will click from under that black hood.
The Klinger Atelier, Grabenstrasse, Braunau,
and Braunau is small but worthy town,
honest businesses, obliging neighbors,
smell of yeast dough, of gray soap.
No one hears howling dogs, or fate's footsteps.
A history teacher loosens his collar
and yawns over homework.
--- Stanislaw Baranczak and
Clare Cavenagh, translators
from The People on the Bridge (1986)
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