The KRAB Archive
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One of the earliest surviving programs, recorded and aired just five months after KRAB went on the air. Here are Roger Perkins and Nancy Keith with Pooh song, Cock Robin, Duncan and Brady, Coney Island Washboard, and four more.
Recording courtesy of the Jack Straw Foundation, JSF M0222
From 1963, here are Mike Russo on 12 string guitar and piano, and Ron Brentano on banjo. KRAB recorded their concert at Eagleson Hall in the U District, and aired it sometime later. Exactly when, we do not know, as most of the program guides from 1963 and 1964 have not yet been found. Eagleson Hall (1417 NE 42nd) was built and and owned by the YMCA until 1964, when it was purchased by the University of Washington. For more about Eagleson Hall see HistoryLink.
In the early days of KRAB, Russo was a relatively frequent guest, and participated in the 1967 Downhome Blues Party with Lightnin' Hopkins at Washington Hall Oct 21, 1967, cosponsored by the Seattle Folklore Society and KRAB. The program guide listing above is from guide number 43, Aug 1964.
Recording courtesy of Linda and Leonard Good, LG0012
If I am following the chronology correctly, in Phil Williams's "Early Bluegrass in Western Wa and the PNW", Phil, Vivian, and Mike Nelson first encountered Ron Ginther, playing with John and Sally Ashford, as "The Cascades" at an open mike in a club in the basement at the corner of First Ave and Yesler Way during the 1962 Seattle World's Fair. Ron saw Phil holding a banjo and asked him if he played "hillbilly" music, and if he could join them. They played a set, and were immediately hired to perform Friday and Saturday nights at the "Place Next Door" adjacent to the Guild 45th Theatre. This was the birth of the "Turkey Pluckers".
Recently Vivian Williams wrote that "Ron was and still is" something of an activist, "participating in demonstrations and writing various manifestos". Some of which one might attribute to him being a son of Ronald Debs Ginther, an artist known for depicting the plight of the poor and efforts of workers to organize in the 1930's.
Ron, and his brother Fred, are also heard in a KRAB program produced in 1975, US Labor Movement in Story and Song.
With most program guides of 1963 through 1965 missing from our collection, we cannot say for sure when bluegrass was first heard on KRAB, but are pretty certain the first regular bi-weekly broadcast started Jul 1, 1964.
Recording courtesy Linda and Leonard Good, LG0002; Photo of Ron Ginther found on "Early Bluegrass in Western Washington and the Pacific Northwest, A personal account by Phil Williams"
Although the tape and its box provide little information about this program, the KRAB Archive Special Consultant in Traditional Music and Musicians of the Pacific Northwest, Vivian Williams, has shared some exciting details:
Yup, I absolutely recognize the voice, "Virginia Slim" is Ron Hyde. "Virginia Slim" was an alter ego that he occasionally donned for satirical purposes.
Ron Hyde moved to Chesaw, Washington (up by the Canadian border not far from Tonasket) many years ago, and made mandolins in his workshop. There are several videos of him on YouTube; the latest was made in 2017 so he's probably still around.
You might notice that they mentioned that Phil Poth and Ron Hyde were making F5 style mandolins in a workshop on Alder Street; that was Ron's house. Ron was a pretty good mandolin player, and he might be playing mandolin on some of the "pickup band" numbers, although those may be Phil Poth. At the end we were switching instruments around like crazy, so it's pretty hard to tell who's doing what.
The original "Krapp Family," mentioned near the end, was a tape that Phil W. and Peter Langston and I made ca. 1963, playing several overdone folk-scare standards incompetently on various weird instruments (toy glockenspiel, banjo-uke, & others), which I guess we were more or less reviving at the show by playing instruments other than our usual ones. Hey, my banjo playing wasn't all of that bad! But Phil on the dobro, I dunno ..... And that's me giggling obnoxiously in the background throughout the last part of the show.
[Editor's note: Before we receved Vivian's comments, about all that could be said was Mac Wiseman (supposedly), George Henmar from Waukegan, Phil Poth, and Maynard Peterson are the "pickup band hanging out around the station" and making life difficult for Virginia "Verge" Slim, until Phil and Vivian Williams show up with Dick Gordon in tow. At least that's what it sounds like though it is to difficult to separate whom is actually there from the hallucinations.]
Recording courtesy Linda and Leonard Good, LG0024
The first bluegrass programmer on KRAB was Ron Ginther. "Uncle" Dave Wertz was the second. Tonight his wench is out of town, so its an opportunity for the groupies, and an excuse for Dave to tell a joke.
Dave Wertz' Bluegrass show is named in the FCC's complaint against KRAB that resulted in the hearing of 1970: "Dave Wertz describes himself as an amateur expert on bluegrass music. He had a program on KRAB which consisted of bluegrass music and pertinent accompanying commentary. Wertz tried to imitate the style of such well known programs of bluegrass as Nashville's Grand Ole Opry and Richmond's Old Dominion Barn Dance. Between broadcasts of music selections, Dave Wertz would tell what he called "corn country jokes".
"When Wertz came to work for KRAB it was made clear to him that he was not to use any obscenity on the air. His type of joke does not contemplate the use of obscene words. He had no recollection of what he may have said on his broadcast of October 1968, but he had been told that someone had called to complain about the program. He may have told a few of his country stories. An example which he gave is the one about "the hillbilly whose bathroom caught on fire but, fortunately the flames didn't reach the house."
Program guide 222, Jan 1972, with a photo of Dave Wertz, has the following:
We have no intention of writing a eulogy to Dave Wertz. Not because he doesn't deserve one, but perhaps because it's the kind of thing he would have detested. He was simple, and direct, and the kind of maudlin sentiment attached to death would have seemed pointless to him.
Let us just say that one of the best friends we ever had is gone, and we'll miss him.
Is there anyone out there that remembers Dave and can share a memory?
Recording courtesy of the Jack Straw Foundation, JSF M1574
"Folk" music, traditional or revival, American or world, live or recorded, was part of the KRAB repertoire from the start. One of the earliest shows was started in February 1963 with Judy Buck hosting live concerts in the studio every Sunday evening featuring performers from as far away as Portland and Vancouver. So far, no tapes of those broadcasts have been located.
In 1969 Greg Palmer was a KRAB volunteer producing the Sunday Show while attending the University of Washington. In the Drama School he encountered one Jeffrey R Thomson, AKA "Magic Fingers", another student of theatre. Jeff was also a musician, playing a 12-string guitar and singing everything from "Plastic Jesus" to "Cocaine", as well as his own compositions. And, he was a visual artist responsible for several program guide covers. On at least four occasions Greg persuaded "Magic Fingers" to perform live on KRAB and take requests from the audience.
We have six tapes. The labels are a little unclear, but the program guides do give us some description. With the exception of Tape, 6, which was recorded in Laramie, Wyoming for broadcast during a fund raising marathon, Jeff is joined by Greg in the closest thing we have found to a KRAB hootenanny.
Tape 1 - The first tape seems to have been recorded during a two day fund raising marathon Saturday and Sunday, the 29th and 30th of March 1969 (32:50)
Tape 2 - Sunday, Aug 17, 1969, 11:30 pm (It is unclear why this tape starts with the voice of Michael Wiater introducing his program "Toothpick, Lisbon, and the Orcas Islands". Michael, where are you?) (33:14)
THE ROACHDALE REPORT - Featuring the triumphant return of Magic Fingers to Seattle. Yes, fans, about six months ago, an unscheduled after-hours show took place, featuring the phenomenal 12 string guitar playing of Magic Fingers, plus the exciting throbs of his magic Throat. The next day M.F. left for Wyoming, but now he's back! He'll be taking requests for all your favorites and playing his own compositions.
Tape 3 and 4 - Sunday, Aug 31, 1969, 11:30 pm (68:17 and 40:58)
THE ROACHDALE REPORT - Produced by the Roachdale Radio Network for export to all Universal Life Ministers. Tonight, a farewell party for Magic Fingers, who is ending his all-too-brief stay in Seattle to return to the wilds of Wyoming.
Tape 5 - Wednesday, Jan 28, 1970, 11:00 pm (18:46)
MAGIC FINGERS IS BACK AGAIN - That's right, kids! If KUOW can bring back Big Jon & Sparky, KRAB can masticate the air waves with that snappy kid from Wyoming, Magic Fingers, playing his 12 string just like Glen Campbell used to do and warbling his way into your heart. Requests will be taken (LA2-1111) for all your blues and folk favorites.
Tape 6 - Wednesday, May 20, 1970, 9:30 pm (29:17)
THE MAGIC FINGERS MARATHON MUSICOTHON - Over the past two years Jeffrey R. 'Magic Fingers' Thomson has appeared on four late-night, folk-blues-other live music requestothons, playing his twelve string guitar and warbling as only he can do. Tonight's effort is, unfortunately, not live, as M.F. is in Laramie, Wyoming, bringing the magic of set design to the cowboys. However, he made this tape there a few weeks ago, singing some Leadbelly, some Simon, and some vintage Fingers. Mag (we call him Mag) is joined, occasionally, by Cathy Fermilia, John ' Lightning Digits' Sundahl, Steve Jacobson, and the Singing Mayonaise.
You can listen to the individual tapes or play as a continuous stream.
Recordings courtesy Jeffrey R Thomson and Cathy Palmer
The listing in guide Nbr 170 for Jul 15, 1969 says Bluegrass - with Tiny Freeman and Dave Wertz, but it meant with Tiny Freeman or Dave Wertz. They were alternating, or, to judge from this recording, Dave was substituting when Tiny was working elsewhere.
Although the tape label has nothing to indicate the air date, Tiny left a clue: He says that someone brought in a "bunch of AP stuff from the newswires" and then proceeds to read the intro of a story about a Seattle police officer announcing his candidacy for mayor. A search of the Seattle Times revealed that on Jul 15, 1969 Ross S Roddam announced he was running for mayor. Click on tape label thumbnail to see the article.
This program seems much more old-timey acoustic than the electrified bluegrass of later years.
Recording courtesy of the Jack Straw Foundation, JSF M0482
(On Aug 9, 1969 the bluegrass show and Tiny had moved to 3:00 pm Saturday afternoons. Not sure who was writing the program guide descriptions.)
Recording courtesy of the Jack Straw Foundation, JSF M0483
First he was on Tuesday nights (Doughnut Shop, 1968), then Wednesday, then Sunday afternoons, then Saturday afternoons (Fire Station 25), then Saturday nights alternating with Dave Wertz, then Saturday on his own, and after all that he was still always willing to sit in at a moments notice. Listeners, musicians, and assorted other characters would surround and egg him on as he regaled them with no end of slightly salacious jokes. And the musicians, whom Tiny had forgotten he had invited, would show up with their instruments and it would be live till dawn, with Tiny "dragging his fiddles, guitars, banjos, gut buckets and empties behind him." (Guide 172)
Here’s an excerpt of live music with Tiny in the wheelhouse, courtesy of Dennis “KRABgrass” Flannigan, made sometime before 1974. Could be at the Doughnut Shop or it could be at the Fire Station. The vocalist is Sandy Willard. About the band, Tiny is as perplexed as we are.
Tiny also sat in with Dennis and others on The Penultimate KRABgrass-April 1984.
Recording from the collection of Dennis Flannigan, DF1002
Tuesday nights at 8:00 John Burke alternated with Phil Williams, playing and talking about things musical and old timey. Here are two shows, probably from 1971 when the program was preceded by William Mandel's Soviet Press and Periodicals.
Anyone know what has become of John Burke?
Recording from the collection of Dennis Flannigan, DF0251
Someone wrote to Tiny and told him about some musicians in Bremerton that ought to be on his show. So, Tiny being Tiny, here they are.
Update Nov 3, 2018: When this was first posted on the site, since there was no information with the tape, the description and credits were based on what a local bluegrass ignoramous was able to decipher from Tiny's announcing. Thankfully, we now have the benefit of Vivian Williams, who has played at one time or another with just about every bluegrass, oldimey and fiddle musician in the North West and knows them like the fingerboard of her fiddle.
"The 13-year-old fiddler from Port Orchard is Ronnie Waldbauer, and his brother Bob is playing bass. His dad was also named Bob, and played guitar, but I don't think he was in this show."
"The banjo player from Winlock is Frank Bolden. He was originally from North Carolina, and played regularly with the Waldbauers. Here is Frank's obituary"
"In spite of the way Boyce pronounced his name, the accordion player's name is Ed Morken. He was from Centralia, and was a buyer and seller of musical instruments, and used to regularly patronize the Folklife instrument auction. And I'd recognize his playing anywhere!! 2 of his accordions, decorated with his name, were eventually sold to local musicians (Phil Katz, and Jane Anderson), and are still being played upon."
Joe Hanson, fiddle; Boyce Stuckey, fiddle; Henry Mitchell, fiddle - to which Vivian adds this note: "And we bought the bass fiddle that is still in my living room from Henry (a.k.a. Hank) Mitchell!"
We are still unsure about the second banjo player. I thought I heard "Tim Berry", but Vivian thought the name sounds more like "Tim Barrett".
As to the "someone" that wrote to Tiny prompting this live show, Vivian suggests "It sounds like the name of the person who wrote the letter to Tiny about these guys is Jim Atwell. I wonder if he was the father of Doug Atwell, who won the 2nd Washington State Fiddle Championship, and later moved to California and became a professional musician there. I looked up Doug's obituary online, and his father's name was Jim, so it might be the same guy."
Recording courtesy Dennis Flannigan, DF1019
Vintage Tiny from the Doughnut Shop. Dick Shurman (his blues show normally preceding Tiny) has taken the summer off, so Tiny has appropriated some of Dick's time for old timey mountain music. This will later give him an opportunity to make a beer run. Tiny's got a summer cold, and seems a little subdued as he talks about judging the Pike Place soapbox derby, where he will be wearing his derby, and about a bluegrass shindig happening on the 25th at a secret location on Cherry Valley Road in Duval. There will be shin kicking and eats for those inclined.
This, like everything else heard on KRAB before 1976, is in marvelous monophonic.
Recording from the collection of Dennis Flannigan, DF0271
Tiny's having a good time with Phil (mandolin) and Vivian Williams (fiddle), Barney Munger (5 string bass), Lou Harrington (bass), and Dick Marvin (guitar).
Dennis' notes indicate this was recorded in the AM, so this is probably the show that started at 10:00pm on Saturday the 19th.
Recording courtesy of Dennis Flannigan (5" reel), DF1004
Is it payola? Did Tiny sell out for a beer.....or a twelve-pack? Well, it is marathon time, and Tiny has a special guest: "Billy Joe Stillwell", who has already been outed by Vic Stredicke and revealed to be the "alter ego" of Tom Murphy of KOL (apparently an habitue of the same dives frequented by Mr Freeman). It took some searching to find a 45 of "Kenworth to Tulsa" on a Swedish used book and vinyl record site,where it can be had for 35 Krona ($5.29). Buyer beware.
Recording courtesy of the Jack Straw Foundation, JSF M1550
This recording may be from a couple of shows at the Inside Passage (Tavern in Pioneer Square, now defunct). "Entropy Service", composed of Peter Langston, Linda Waterfall, Judy Cook, and J B White, performed at the Passage every Wednesday. They must also have done the occasional Friday to be included in KRAB's live broadcast. For more about them, and some photos, see the Entropy Service web site.
Singin’ Songs to Myself
Ain’t no Sweet man that’s worth the salt of my tears
Mother Night (w/echo)
Dairy Man Blues
There’ll never be another ewe
When I take my Sugar to Tea
Fiddler a Dram
Singin’ Songs to Myself (Charl on piano)
Smoke That Cigarette
Recordings courtesy Bruce Kirkman and Robert Weppner
Bluegrass and the picket line. Tonight, Mike talks about the Seattle City Light strike, and he is joined by guest Thane Mitchell playing and talking about the bluegrass.
Cassette recording courtesy of Dennis Flannigan, DF1005
In the Fall of 1974, shortly after the success of the first broadcast of the NW Regional Folklife Festival, KRAB decided to venture into the world of live shows from local music venues. The first was from the Inside Passage tavern, First and Washington in Pioneer Square, Friday’s 8:30 to 9:30. “Are we on?” “The band is getting ready and will be here in a moment”.
The Willow Creek Ramblers (Phil Poth, banjo; Don McAllister, mandolin; and Paul Gillingham, guitar and emcee) and The Tall Timber String Band were regulars, alternating Friday nights at the Passage. On Nov 1st Willow Creek had technical difficulties, which eventually were fixed by Phil Williams throwing a switch. Oh well. At the end of the performance. Leila speaks briefly with Phil Poth.
The Nov 8 performance by The Old Hat Band was the broadcast portion of a longer bluegrass festival at The Passage that evening.
Announcing for KRAB is Leila Gorbman. KRAB technical support was Ken Heller. Where is he now?
Recording courtesy Dennis Flannigan, DF1007
Frank Ferrel's program, "Country Fiddling", eventually became "Fiddling KRAB". Here he talks with National Junior Champion old time fiddler Mark O'Connor (then 14) and his 10-year-old sister Michelle, who play's mandolin. They are joined by Hank English on guitar, and Nell Carter editor of the Old Time Fiddler association newsletter. Mark reveals his secret for winning, and Frank persuades him to play some guitar.
Begins mid-sentence and ends abruptly.
Recording courtesy Dennis Flannigan, DF1017
In 1975, among other things, I was producing a late night variety show – mostly recorded music and readings, occasional interviews of people with strange stories, and, rarely, something special. On the Saturday of the Memorial Day weekend, a little after midnight, after a day of playing at the NW Regional Folklife Festival, Robert Force, Albert D'ossché, Jake Bell, and Mark Weinberg arrived at the KRAB studio, where they played and improvised for the next couple of hours.
Robert and Albert wrote the book about dulcimer, In Search of the Wild Dulcimer. In addition to dulcimer it seemed as if they could play any instrument they got a hold of: doumbek, piano, trombone, or kazoo. It sometimes was unclear when the music stopped and the impromptu comedy started – it just kept coming. Albert, in Robert’s words, “departed the planet” in 1990. Although Robert went on to other things, he continues to perform and teach dulcimer.
Robert Force, dulcimer and vocals; Albert D'ossché, dulcimer and vocals; Jake Bell, guitar; Mark Weinberg, banjo and vocals
Recording collection of C Reinsch
The Corporation for Public Broadcasting has sunk the hook deep in the KRAB's throat, and KRAB is trying to raise $75,000 in non-federal funds in order to qualify for a $19,000 grant. This is the first day of a marathon drive that went to the end of the month. By 1975 CPB and PBS stations had trained their listeners to expect rewards for contributing in the form of CDs, cookbooks, and trips to the Bahamas. KRAB volunteers did their best to find premiums that KRAB subscribers might appreciate, and that KRAB could afford. It being the month that Americans consumed turkey, someone found a case of Turkey Lifters, and they were offered to anyone that subscribed. I think they looked something like the one pictured above.
Meanwhile, in the music studio the heat has been tuned on to deter frostbitten fingers, but with the result that the musicians are tuning to the progressively further out-of-tune-piano. Phil Williams offers a subscription (and a turkey lifter) to any piano tuner willing to come in to the cold. If there was a program guide for Nov 10 through the 30th of 1975, it has not been found. Phil Williams talks about a schedule that lists a "Bluegrass Ensemble", but there is no sign of it.
Part 1: Larry Hanks; Phil Williams announcing and mandolin; Barbara Lamb; Hank Bradley; Vivian Williams
Part 2: Vivian Williams; Phil Williams does a pitch; Hank Bradley; Twin Fiddles - Vivian Williams and Barbara Lamb; Earl Bradley, banjo; Darrel McMichael(?), bass; Stuart, whistle; Red Herick, mandolin; Vivian and Barbara, fiddles; and ?; Bob and Carol Waller
Part 3: Larry Hanks; Jeff Thorne; Dick Gordon of Rag Daddy visits for the last song; Break for Chinese Radio Hour; KRABgrass with Phil Andrus in the out-of-control-room; Mountain County Co-op
Part 4: More Mountain County Co-op; Phil Andrus doing the KRABgrass
Recording courtesy Dennis Flannigan, DF1016
Albert and Jake, playing with dulcimer, guitar, kazoo, doumbek, kalimba, and politically irreverent imaginations.
Recording collection of C Reinsch
Yet another another fund raising marathon (Apr 1 to 10, 1977) and Okie Doke comes in to play and raise some money. The players are Marc Bristol, guitar; Quentin Rhoton, washtub bass; and Dan Kersten, mandolin. The following week, on Apr 16, they were appearing at the Big Hat Ball in Carnation's Odd Fellows Hall.
We (Marc first, me second) think this recording is actually from two appearances on Patchwork, the first during the pledge drive marathon on Apr 9, and the second on the Saturday (May 28) evening before they were scheduled to play at the 1977 Folklife Festival. On May 21, Marc got a big spread in the Seattle Times (click here to read it).
The program producer formerly known as "Patchman" can be heard at 41:25 and again at 48:56.
Recording courtesy Marc Bristol
10:00 OTHER COUNTRY MUSIC
The Sons of the pioneers sing from saddle and sagebrush. Moskowitz presents classic and unusual music drawn from the diverse world of country music.
12:00 AFTER MIDNITE
Blues by Elmore James, "The Sky is Crying." But what color is the rain? blue, blue, blue the wiling chicago sound with neil normal.
Here are a couple of voices we haven't heard from yet. Known to his fans as Moskowitz, Bob Baron became known for the rare and peculiar, and comedic. According to Bill Virgin in an obituary for Baron (d. Aug 18, 2006) in the Seattle PI "His radio career started in earnest in this region in the mid-1970s at KRAB-FM, but he had stints at KMPS-FM, KRPM-FM, KKBY-FM and KYCW-AM. The Moskowitz name came from an artist's signature on a poster of a rabbit." In 2006 he had a show on KSER.
Nearly Normal Neil had a show on KRAB from 1980 until near the end, Apr 13, 1984.
Recording courtesy of Paul Dorpat
If you possess any souvenirs (program guides, tapes, or photos) or have a story about your experience with KRAB you are willing to share, please email email@example.com